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Sonic Environment Generators
Installation
Endless, generative soundscape units

The project included interviews with Marcus Boon author of ‘The Politics of Vibration’ and Barney Hill and Monty Anderson, developers of ‘Fieldstar’ which is a tool for spatially mapping music. These conversations discussed the relationships between mathematics and music, sonic architecture, drone music, AI and dissociation. Transcriptions of these conversations were presented in a booklet that was available during the course of the exhibition and a TV displayed an audio reactive visual work which danced along to the muted recordings of the conversations.

This project was realised during a six week residency at Neu Workshop, Munich.

Aluminium, car paint, microprocessor, video, real-time generative sound, strobe light

Torbay
Live visuals & sound performance Manipulated footage reacts to live performance audio. Hallucinatory vocal samples, field recordings and dubbed out loops soundtrack a dissociated journey home through night time London.

Live audio and visuals

Bleeding into the World
Exhibition & live AV performance Multi channel, audio reactive film and sound work made using machine-learning-recoloured video, field recordings and AI generated drill music samples. The film follows the disembodied thoughts of an anaesthetised patient who floats through memories of the city of London under construction.

Accompanying the film, a vibration controlled sculpture that feeds blood between a network of silicone tubes connecting IV bags. Two live audio visual performances took place over the course of the show, the first of which is available to view here.

Muti-channel film, Audio, stained wood, silicon tubing, peristaltic pump, blood, custom code, machine learning.
Pharm
EPAvailable here

Reform Club
Exhibition Reform club is a multi-instance installation work. A platform is suspended overhead, displaying dancers that appear as a mirror of dancing ghosts beneath them. The dancers cut and stutter based on audio onsets, synchronised to the soundtrack of the space they inhabit. Flyers litter the floor. A translucent sign hangs on the wall.

Audio reactive video, custom code, mesh projection screen, acrylic, vinyl, hex nuts, ribbon, graphite on tracing paper, sound.
Clear SignsExhibition Translucent wall mounted sign sculptures that take as a starting point the historical implications of signage, pre-literacy and pre-systemisation. Before shops and houses were numbered, pictorial signs allowed for identification by a largely illiterate public. Clear signs explores the process through which these signs are translated to spoken language and the inscriptive potential to form communities and understandings of the phantom spaces they describe.

Acrylic, vinyl, aluminium, sound.

©2024Noah Griffin